| Author | Comment | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
darkness |
entertainment news |
Lead | ||||||||||||||
|
anything having to do with hollywood
Every moment away from you is a moments wasted
Every thing I do without you is regretted Every breath I take without you is useless Every beat of my heart The warm summer nights All love in the world
Means nothing without you
|
||||||||||||||||
|
|
||||||||||||||||
lizzbitt |
#1 | |||||||||||||||
11 hurt at Tom Cruise film shoot If anyone famous had been involved, CNN would have had to upgrade the story from World News to Star news….. |
||||||||||||||||
|
|
||||||||||||||||
wisequacker |
#2 | |||||||||||||||
|
Britney Spears' mom is allegedly writing a book about raising children. After seeing her wonderful results with Brittney I'd say read what she says
carefully and do the exact opposite.
|
||||||||||||||||
|
|
||||||||||||||||
Alphagirl2 |
#3 | |||||||||||||||
|
Lol. It is funny.So who would buy the book I wonder.
|
||||||||||||||||
|
|
||||||||||||||||
darkness |
#4 | |||||||||||||||
|
i would just to see what not to do. the book is gonna be called how not to raise your children
Every moment away from you is a moments wasted
Every thing I do without you is regretted Every breath I take without you is useless Every beat of my heart The warm summer nights All love in the world
Means nothing without you
|
||||||||||||||||
|
|
||||||||||||||||
cowbud |
#5 | |||||||||||||||
|
lol "how to be a typical stage mother and make millions off your child"....how your child ends up,not important $$$$$$ comes first.
|
||||||||||||||||
|
|
||||||||||||||||
Alphagirl2 |
#6 | |||||||||||||||
|
Or how not show your panties and other things in almost every photo you take.
|
||||||||||||||||
|
|
||||||||||||||||
lizzbitt |
A Test Drive Of 2 Online TV Services | #7 | ||||||||||||||
A test drive of 2 online TV servicesMIKE SNIDER, USA TODAYYou know the feeling. You forgot to program your TiVo to record this week's episode of "CSI: Miami." Or your friend is excited about "Friday Night Lights" and you want to get in on the game. Networks have been experimenting with online offerings for nearly two years. USA TODAY takes an early look at a service being tested from News Corp. and NBC Universal called Hulu and a competing service, Joost, allied with CBS and Viacom. Hulu.comThis new Web site, created by NBC Universal and News Corp., is stocked with episodes and clips from more than 90 TV series. You'll find recent and past episodes of "Friday Night Lights," "Family Guy," "24," "The Simpsons," "House," "Bones," "Prison Break," "K-Ville" and "King of the Hill." Older series include "Arrested Development," "Hill Street Blues," "Lost in Space," "American Dad," "WKRP in Cincinnati," "St. Elsewhere," "Buffy the Vampire Slayer," "Doogie Howser" and "The Bob Newhart Show." There also are collections of clips from TV series including "The Simpsons" and "Saturday Night Live." Once you've signed into the beta trial (you must be invited), Hulu's wide-screen video player comes up quickly and plays smoothly. Before an episode of "The Office" begins, you see a note that the episode is brought to you by Royal Caribbean International. One third of the way through, there's a 30-second cruise ad. Controls let you increase the video to full-screen or create a separate video player window that you can move around for easier multitasking. Sharing tools allowed the easy posting of a clip from "Bones" onto a MySpace page, and a clip sent to an e-mail account opened and played. Video quality is very good, but less than that of a DVD, evidenced by the lack of detail when the PC was connected to a large TV. "It is a brilliant strategy," says James McQuivey of Forrester Research. "It doesn't take a lot of research to show that people like to share media with their friends, and this preempts the copyright troubles they have had with YouTube. They are willing to try to open up more content, at least for now. As a launch strategy, they are trying to make sure you're not encountering any dead ends." Joost.comCreated by Janus Friis and Niklas Zennstrom, who founded Internet phone service Skype, Joost has more than 15,000 shows from CBS, MTV Networks (VH1, CMT), Turner Broadcasting (CNN, Cartoon Network) and Comedy Central, and movies from Paramount and Sony. After a five-month beta test period, it opened to all in October. TV series available include all three "CSI" series, "Punk'd," "Larry King Live," Adult Swim cartoons such as "Robot Chicken" and "Aqua Teen Hunger Force," and "The Late Show With David Letterman." Joost requires the download of a 26-megabyte software program before you can watch. Once you install that and create a Joost username, you can begin viewing content. At startup, you can click "Explore" on the left of the screen and scroll through shows by type (Cartoons, Drama, Film, News). Dramas bring up a grid of current CBS shows such as "CSI: Miami" and "The Unit" and older ABC series "Fantasy Island" and "Charlie's Angels." Choose "CSI: Miami" and you'll find four recent episodes and five clips; for "Charlie's Angels," there are more than 50 episodes. A full-screen ad for the sponsoring product appears before the episode starts, and once it does, a small see-through clickable product promo sits in the lower-right corner of the screen for a few seconds. The video was of slightly lesser quality than on Hulu. Ads for antiperspirant and other products remained visible to the side of the video window. Joost lets you share videos and clips, but only with other Joost members. Each channel has a chat room, and you can also send instant messages using your Google or Jabber mail accounts. Says McQuivey: "If anything, the dawn of Hulu means the end of Joost. They could make a set-top box that would bypass the computer altogether. If they really want to stay viable, Joost has to get to the TV." What's playing on network Web sites?ABC.com. This site is stocked with full episodes from "The Bachelor" to "Ugly Betty," along with a dozen "Dancing With the Stars" episodes and the last four of "Grey's Anatomy" and "Private Practice." An HD player offers higher-resolution versions of the latest episodes of "Grey's," "Pushing Daisies," "Practice," "Betty," "Dirty Sexy Money" and "Desperate Housewives." Commercials play before each segment. You can also catch up with "Lost" (19 episodes from last season). CBS.com. Here you will find full episodes of more than a dozen shows, including "As the World Turns," "Cane," "Survivor: China" and "The Unit." The innertube player divides hour shows into four segments; commercials play before each. Other series, such as "Cold Case," "Criminal Minds" and "Two and a Half Men," only have clips. CWTV.com. Most series, such as "Aliens in America," "Everybody Hates Chris" and "Reaper," have four full episodes you can watch after viewing a 30-second advertisement. Fans of "Smallville" and "One Tree Hill" must make do with clips. NBC.com. Full episodes of shows such as "30 Rock," "Chuck," "Bionic Woman," "Heroes," "Journeyman," "My Name Is Earl," "The Office" and "Scrubs." But other series such as "Law & Order" have only clips and episode guides. Catch up on the previous night's episode of "My Name Is Earl" with a wrap-up clip. Some episodes run ads before playing, others do not; still others may have a billboard above the video. Fox.com. From the network's home site, you can start the Fox On Demand beta-testing service that has full episodes of series including "Bones," "House," "Family Guy," "Prison Break" and "Til Death"; 15- to 25-second ads divide the episodes into five segments. Can also launch Video Central to see clips and content from "24," "American Idol," "Family Guy" and "So You Think You Can Dance." |
||||||||||||||||
|
|
||||||||||||||||
whelty |
#8 | |||||||||||||||
|
.
... THE LURKER !!!
|
||||||||||||||||
|
|
||||||||||||||||
lizzbitt |
X-Files 2 Wraps In Canada | #9 | ||||||||||||||
|
||||||||||||||||
|
|
||||||||||||||||
lizzbitt |
#10 | |||||||||||||||
|
Friday, May 23, 2008
Was CSI's Finale Only for Shock Value? Did Bones' Twist Betray Fans? What's In
Housewives' Future? And More!
Gary Dourdan,
CSI
Question: I just had to write to you about the CSI season finale.
I found the episode devastating and feel the need to commiserate with another TV fan about this very, very shocking end to Gary Dourdan's wonderful run as Warrick. I, and many
other fans, are terribly upset about this horrific turn of events and can't believe how the producers have slammed shut the door on this character. I
know Dourdan probably has some serious real-life problems but, wow, what a way to go. Just had to talk about it to somebody, and I knew you'd
understand my pain. - Farley C.
Matt Roush: Getting to the end of this season has certainly felt like a death march, hasn't it? So much carnage, so many downers.
But probably none with the grim finality of Warrick's execution in the bleak final moments of CSI. We'll tackle the bigger implications of
this trend later in the column, but in this case, the fact you feel pain tells me the show did its job. If Warrick had just slinked off in disgrace, we
might feel sad for him and for the actor, but we could easily have shrugged it off as TV business as usual. Taking this extreme twist, turning him into the
victim of a truly evil bad cop, ensures that we won't soon forget Warrick or Gary Dourdan. That's not such a bad thing, but without doubt, it was
hard for me to shift gears last Thursday and keep watching other shows in the wake of this jolting tragedy.
Question: Watching last week's CSI finale, I couldn't help comparing it to the best show on TV today, The Shield. CSI wanted desperately to provide its audience with a "shocking" ending. They were able to succeed moderately on that level. (Though I don't think too many of us were surprised that they were going to kill Warrick after having spared the life of the incredibly annoying Sara from last season's "shocking" finale.) At any rate, I thought of the truly shocking finale from Season 5 of The Shield, when Shane dropped the grenade in Lem's car. That scene worked because both characters were rich, fully developed, three-dimensional people who were behaving as real people would behave in extraordinary circumstances. If Lem was going to die, Shane had to be the one to do it. The "shock" wasn't so much in Lem dying - it was in who killed him and why. With CSI, the lazy screenwriters simply wanted to kill off Warrick, and everything that went on in the episode was done to serve that one purpose. The eventual killer exposed in the final scene was arbitrary and contrived. Any member of the cast could have been plucked to shoot Warrick with whatever feeble motive the writers wanted to conjure. Furthermore, the sudden proclamation that there was a mole in the department felt stolen from 24 (a show that has even bigger credibility issues, but at least is consistently suspenseful and entertaining). CSI is still a decent, watchable program. But it aspires to be so much more and never seems to reach its own lofty goals. - Tim T. Matt Roush: From my mail and reading other comments, it seems to me that a lot of CSI fans were plenty shocked by Warrick's death - although it was pretty clear toward the end of the episode when the story wrapped with so much time left on the clock, something bad was likely to happen. But the comparison to The Shield is interesting, if not entirely fair, because it points out the difference between a classic procedural that occasionally breaks formula by doing something extreme - with the result that it often feels contrived, awkward and unsatisfying - and a truly groundbreaking show like The Shield, which is so much more suspensefully intense and darkly disturbing in its moral ambiguities on a week-to-week basis. Comparing the death of Warrick to Shane's murder of Lem (both as they sat in a car, hardly expecting to die) didn't occur to me, probably because I look at these shows as operating on such distinctly separate playing fields. But which death rattled me more and haunts me still? Lem's, for sure, even after all this time. |
||||||||||||||||
|
|
||||||||||||||||
lizzbitt |
MEERKAT MANOR: THE NEXT GENERATION | #11 | ||||||||||||||
MEERKAT MANOR: THE NEXT GENERATION
Meerkat Manor's favorite first family, the Whiskers, was dealt a harsh blow last season with the death of their fearless matriarch, Flower. With
the family in shambles, Rocket Dog fought her way to the spot as top "kat" and new leader for the Whiskers clan. But mutineer Maybelline didn't
accept her sister as queen and ditched the clan to form her own mob, the Aztecs. With the family divided, the sisters' claws come out - and the Manor is
changed forever. Now, Rocket Dog and Maybelline must live within the rather large shadow of their late mother, Flower, and there's very little room in
the Kalahari for both sisters' clans. Not only do the meerkats face predators, harsh desert weather and their archenemies, the Commandos, but they also
most deal with dissent within their ranks. Without a solid leader to unify them, they face their toughest survival threat yet: each other. The sisters'
enmity isn't the first time a family spat has threatened a homeland. History's Tudor queens had a rivalry that put a wedge through England. This
season, viewers will find themselves knee-deep in the Kalahari as betrayals, romances, seductions and new titillating story lines unfurl. The Tudor family
had nothing on these mobs; this brand-new generation of meerkats gives new meaning to bad "Manors." No matter which meerkat deserves the title,
this season, another queen reigns over the Kalahari. Emmy-award winning Stockard Channing joins the Manor as the series' headstrong narrator. With her
previous role as first lady on The West Wing, Channing is no stranger to politics. Each Friday night during the scandalous 13-episode season of
Meerkat Manor: The Next Generation, witness the meerkats in a battle royale of competition and survival. Meerkat Manor: The Next Generation takes charge at a new
time, Fridays at 9 PM e/p, beginning June 6.
|
||||||||||||||||
|
|
||||||||||||||||
lizzbitt |
'CSI' Losing Its Main Man.. | #12 | ||||||||||||||
|
'CSI' Losing Its Main Man..
Will it ever be the same? CSI is set to move forward without Gil Grissom. Or, it will. Calling it an actual signoff rather than yet another sabbatical, William Petersen is leaving CSI sometime midseason. "Billy is leaving," series executive producer Carol Mendelsohn said. "But he will remain throughout the run of the series an executive producer. And he will, whenever CBS asks, come back. I don't think you've seen the last of Gil Grissom." "My biggest problem with leaving the show at any point isn't leaving Grissom," said Petersen, whose previous leave of absence came when he took five weeks off to do theater in Rhode Island. "I'm an actor, it's time to do other things. "[The hard part will be saying goodbye] to the cast and crew. [So] I'm going to stay as involved as I'm allowed to be throughout the remainder of this show. Until they turn off all the lights." Petersen's exit will mark the latest blow to show's original lineup, which lost Jorja Fox and Gary Dourdan last season... although both will be making appearances in coming episodes (one more posthumous than the other). "We do have a plan," Mendelsohn added, assuring fans that there will be blood... both new blood and the regular DNA- filled, splattering kind... to make Petersen's pending departure less painful. |
||||||||||||||||
|
|
||||||||||||||||
darkness |
#13 | |||||||||||||||
|
very interesting articles liz
|
||||||||||||||||
|
|
||||||||||||||||
lizzbitt |
CBS hit "CSI" gets new scientist, or serial killer? | #14 | ||||||||||||||
CBS hit "CSI" gets new scientist, or serial killer?
Actor William Petersen's exit from the CBS hit "CSI: Crime Scene Investigation" opens the door for a new character to join the show's crime-busting team -- only this one just could be a crazed killer. CBS's programming chief, Nina Tassler, on Friday confirmed Petersen's plans to leave the show at the mid-point of the upcoming TV season, after the first 10 episodes. Unlike Petersen's character, Gil Grissom, a brainy investigator who heads a Las
Vegas crime unit, the show's new addition will be a scientist with a dark secret -- his genetic makeup is similar to that of known killers.
"This gentleman knows this about himself and is sort of in this journey and -- and to discover who his true character will ultimately become," she said. The role has yet to be cast. Petersen, who also is an executive producer of the show, will return for future guest star appearances but is interested in other creative pursuits, Tassler said. Petersen is due to appear in the play "Dublin Carol" in Chicago later this year. "CSI," the top-rated CBS series last season, premiered in 2000 and spawned popular spin-offs "CSI: Miami" and "CSI: NY." (Editing by Bob Tourtellotte and Steve Gorman) Copyright © 2008 Reuters Limited. All rights reserved. Republication or redistribution of Reuters content is expressly prohibited without the prior written consent of Reuters. Reuters shall not be liable for any errors or delays in the content, or for any actions taken in reliance thereon. |
||||||||||||||||
|
|
||||||||||||||||
lizzbitt |
#15 | |||||||||||||||
|
|
||||||||||||||||
lizzbitt |
Dark Knight' grabs $43.8M more, nears $400M total | #16 | ||||||||||||||
|
Dark Knight' grabs
$43.8M more, nears $400M total
LOS ANGELES - Even an army of the undead could not dislodge Batman from his box-office perch.
The Batman blockbuster "The Dark Knight" hauled in $43.8 million to rank as Hollywood's top movie for the third-straight weekend, fending off "The Mummy: Tomb of the Dragon Emperor," which opened a close second with $42.5 million. "The Dark Knight" has soared to a $394.9 million haul in just 17 days, according to studio estimates Sunday. The Warner Bros. release should sail past the $400 million mark by Monday or Tuesday, said Dan Fellman, head of distribution for Warner. That would be on the film's 18th or 19th day of release, another record for "The Dark Knight," which had an all-time high opening weekend of $158.4 million. The previous $400 million record-holder was "Shrek 2," which hit that mark in 43 days. "It's a film that is just rewriting the record books every day and redefining our notions of what a blockbuster can be," said Paul Dergarabedian, president of box-office tracker Media By Numbers. "The Dark Knight" will top $500 million, predicted Fellman, who would not speculate on whether it could approach the all-time domestic revenue record of "Titanic" at $600.8 million. Even if it edged past that mark, "The Dark Knight" would lag behind "Titanic" in terms of actual tickets sold. Admission prices are up more than 50 percent since "Titanic" came out in 1997, according to Media By Numbers. "The Dark Knight" would have to take in about $900 million to match the number of tickets that "Titanic" sold. In terms of revenue alone, however, "The Dark Knight" will pass the original "Star Wars," which is No. 2 behind "Titanic" with $461 million, and such hits as "Shrek 2" ($436.5 million), "E.T. the Extra-Terrestrial" ($434.9 million) and "Star Wars: Episode I - The Phantom Menace" ($431.1 million). Early anticipation over Heath Ledger's diabolical performance as Batman foe the Joker built to a frenzy in the months after the actor's death from an accidental prescription drug overdose in January. A huge opening weekend was guaranteed, but the movie has sustained its audience from stellar reviews and audience buzz. "The movie has grown in terms of its base audience from primarily what was conceived as a young male movie to a movie for everybody, from 8 to 80," Fellman said. "They're going to see it because of the reviews, they're going to see it because of the word of mouth. They're going just to see what it's all about, and they all like it." "The Dark Knight" also has taken in $202.5 million overseas, opening in six more markets in August, among them Japan, France and Russia. Universal's third "Mummy" flick sends Brendan Fraser's adventurer and his wife, played this time by Maria Bello, to China, where they battle a resurrected ancient ruler, played by Jet Li, and his undead minions. Though it put up strong numbers, the new installment had the smallest opening of the three movies. "The Mummy" debuted with $43.4 million in 1999 and "The Mummy Returns" did $68.1 million in 2001. Along with its $42.5 million domestic haul, the new "Mummy" tale pulled in $59.5 million in 28 countries overseas. "The Dark Knight" almost certainly took away some business from the "The Mummy," since both movies competed for the same action crowds. "It looked like we could do somewhere between $45 and $50 million, but no one could have foreseen the juggernaut `The Dark Knight' has become," said Nikki Rocco, head of distribution for Universal. Disney's "Swing Vote," about a presidential election that hinges on the lone ballot of an over-the-hill slacker played by Kevin Costner, opened weakly with $6.3 million, coming in at No. 6. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Media By Numbers LLC. Final figures will be released Monday. 1. "The Dark Knight," $43.8 million. 2. "The Mummy: Tomb of the Dragon Emperor," $42.5 million. 3. "Step Brothers," $16.3 million. 4. "Mamma Mia!", $13.1 million. 5. "Journey to the Center of the Earth," $6.9 million. 6. "Swing Vote," $6.3 million. 7. "Hancock," $5.2 million. 8. "WALL-E," $4.7 million. 9. "The X-Files: I Want to Believe," $3.4 million. 10. "Space Chimps," $2.8 million. |
||||||||||||||||
|
|
||||||||||||||||
lizzbitt |
Paul Newman Dies At 83 | #17 | ||||||||||||||
|
(CNN) -- Paul Newman, the legendary actor whose steely blue eyes, good-humored charm and advocacy of worthy causes made him one of the most renowned figures in American arts, has died of cancer at his home in Westport, Connecticut. He was 83.
Paul Newman's handsome face and solid acting made him a popular and respected film star. He died Friday, according to spokeswoman Marni Tomljanovic. Newman attained stardom in the 1950s and never lost the movie-star aura, appearing in such classic films as "Cat on a Hot Tin Roof," "Exodus," "The Hustler," "Cool Hand Luke," "Butch Cassidy and the Sundance Kid," "The Sting" and "The Verdict." He finally won an Oscar in 1986 -- on his eighth try -- for "The Color of Money," a sequel to "The Hustler." He later received two more Oscar nominations. Among his other awards was the Motion Picture Academy's Jean Hersholt Humanitarian Award. "Paul took advantage of what life offered him, and while personally reluctant to acknowledge that he was doing anything special, he forever changed the lives of many with his generosity, humor, and humanness," said Robert Forrester, vice chairman of the actor's Newman's Own Foundation. "His legacy lives on in the charities he supported and the Hole in the Wall Camps, for which he cared so much." He was often willing to make fun of himself. Early in his career he was mistaken for fellow Method actor Marlon Brando; Newman obligingly signed autographs,
"Best wishes, Marlon Brando." Newman was a Method-trained actor who blazed his own career trail and didn't shy away from risky roles -- inside and outside films. A portrayal as a race-car driver in 1969's "Winning" led to his actual competition in races; at 70, he participated in the 24 Hours of Daytona and he was still racing at age 80. He stumped for liberal causes, including Eugene McCarthy's 1968 presidential candidacy, and earned a spot on Richard Nixon's enemies list -- "the highest single honor I've ever received," he said. In 1982, Newman and his friend A.E. Hotchner founded Newman's Own, a food company that produced food ranging from pasta sauces to salad dressing to chocolate chip cookies. "The embarrassing thing is that the salad dressing is outgrossing my films," Newman once wryly noted. To date, the company -- which donates all profits to charities such as Newman's Hole in the Wall camps -- has given away more than $200 million. Newman established the camp to benefit gravely ill children. "He saw the camps as places where kids could escape the fear, pain and isolation of their conditions, kick back and raise a little hell," Forrester said. Today, there are 11 Hole in the Wall camps around the world, with additional programs in Africa and Vietnam. Some 135,000 children have attended the camps -- free of charge. The Association of Hole in the Wall Camps "is part of his living legacy, and for that we remain forever grateful," the association said in a statement. "We are greatly saddened by his passing. His leadership and spirit can never be replaced. But he has left us strong and confident." Newman was half of one of the most successful showbiz marriages -- to Joanne Woodward, whom he married in 1958. He observed that just because he was a sex symbol there was no reason to commit adultery. "Why would I go out for a hamburger when [I] have steak at home?" he asked. Newman's daughters said described him as a devoted husband, a loving father, an adoring grandfather and a dedicated philanthropist. "Our father was a rare symbol of selfless humility, the last to acknowledge what he was doing was special," they said in a statement. "Intensely private, he quietly succeeded beyond measure in impacting the lives of so many with his generosity. "Always and to the end, Dad was incredibly grateful for his good fortune. In his own words: 'It's been a privilege to be here.'" The statement requested privacy for Newman's family. CNN's Larry King, who interviewed Newman through the years, said he greatly admired the actor. "He lived a long and terrific life," King said Saturday morning. "He was much appreciated. Did some theater, graduated Yale. Long marriage to
Joanne Woodward. One of those showbiz rarities." Paul Leonard Newman was born on January 26, 1925, in Shaker Heights, Ohio, a suburb of Cleveland. His father owned a successful sporting goods store, but young Paul was taken with his mother's and uncle's interest in the arts and started acting while still in grade school. "I wasn't running toward the theater but running away from the sporting goods store," he said later. After being kicked out of Ohio University for unruly behavior, he joined the Navy and served for three years during World War II. After the war he attended Kenyon College in Gambier, Ohio, where his unruly ways led him to theater. Newman continued studying acting at Yale and at New York's Actors' Studio, earning jobs in the growing medium of television. He made his Broadway debut in William Inge's 1953 play "Picnic," opposite Kim Stanley, one of the most successful stage actresses of her time. The next year he made his first Hollywood film, "The Silver Chalice," a bomb that he mocked for the rest of his life. He even took out a newspaper ad apologizing for his performance. But success as boxer Rocky Graziano in "Somebody Up There Likes Me" (1956) made him a star, and more hits followed: "The Long, Hot Summer" (1958) opposite his soon-to-be wife, Woodward; "Cat on a Hot Tin Roof" (1958) with Elizabeth Taylor; and "The Young Philadelphians" (1959). But the 1960s were to be Newman's decade, a perfect match for his ironic, anti-establishment attitude. iReport.com: What do you remember best about Paul Newman? He began the decade with "Exodus" (1960), an epic about Israel's founding directed by Otto Preminger, and succeeded it with "The Hustler" (1961) as pool shark Fast Eddie Felson; "Sweet Bird of Youth" (1962), another Tennessee Williams work; and "Hud" (1963), "Harper" (1966) and "Hombre" (1967), continuing a good-luck streak of films beginning with "H." After "Cool Hand Luke" (1967), in which he played the egg-eating malcontented title character, he turned to directing, earning raves for his
behind-the-camera work on "Rachel, Rachel" (1968), starring his wife. "Butch Cassidy and the Sundance Kid" (1969) and "The Sting" (1973) teamed Newman with co-star Robert Redford and director George Roy Hill. The trio proved to be box-office gold: They were two of the highest-grossing films of their time, winning a slew of awards -- including a best picture Oscar for the latter, a tale of con men in 1930s Chicago. Newman finally teamed up with Steve McQueen, who had been scheduled to be his co-star in "Butch Cassidy," in 1974's "The Towering
Inferno." Though the Irwin Allen-produced disaster film earned mixed critical notices, it, too, was one of the most successful box-office films of the
era. Newman's career started faltering in the late '70s as he turned his attention to his other pursuits, notably racing. The loss of his son Scott to a drug overdose in 1978 hit the actor hard. He made an artistic comeback with 1982's "The Verdict," the story of an ambulance-chasing hard-luck lawyer in which Newman appeared broken, raspy and every inch of his 57 years. By the time Newman starred in "The Color of Money," directed by Martin Scorsese, his movie career had slipped a notch. Never afraid of playing his age, Newman portrayed a repressed businessman in 1990's "Mr. and Mrs. Bridge," a cantankerous lodger in "Nobody's Fool" (1994), a fatherly, retired gangster in "Road to Perdition" (2002), and the voice of a Hudson Hornet in "Cars" (2006). He gained some of his best reviews for his performance as the stage manager in a Broadway production of Thornton Wilder's classic play, "Our Town," filmed for television in 2003, and was perfectly cast as the rascally father to Ed Harris' responsible diner owner in the miniseries "Empire Falls." In recent years, Newman talked about doing another film with his friend Redford, but the two couldn't settle on a script. In 2007, Newman said he was retiring from acting, saying he'd lost confidence in his abilities. Still, he marveled at his own resilience.
"You can't be as old as I am without waking up with a surprised look on your face every morning: 'Holy Christ, whaddya know - I'm still
around!' It's absolutely amazing that I survived all the booze and smoking and the cars and the career."
Newman, who was married to Jackie Witt from 1949 to 1957, is survived by his wife, Joanne Woodward, and five children. |
||||||||||||||||
|
|
||||||||||||||||
barrgirl |
#18 | |||||||||||||||
|
Eartha Kitt died. She was once catwoman in the early Batman shows I read about.
|
||||||||||||||||
|
|
||||||||||||||||
soxykid |
#19 | |||||||||||||||
|
ya
|
||||||||||||||||
|
|
||||||||||||||||
darkness |
#20 | |||||||||||||||
|
trailer for the live action thundercats movie
|
||||||||||||||||
|
|
||||||||||||||||